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clint e.- 10-03-2007
I have recap all the crossover caps from my Rogers LS 55 speakers.I thought it was time to do it, mainly because this set of speakers have more than 15 years of old and also because they have IMO bad electrolytic axial caps from Alcap.

I still have two Epcos polypropylene caps left from my MF X10-D mods, so i'd put them for filtering the high frequencies. They have an excellent "sound",so why not use them...?! smile.gif

For the mids i used polyester film caps from Philips, the same for the lows, but with a small change; I'd put two polyester film caps from Philips in parallel. wink.gif

The conclusions after only 15h. of listening (these caps needs at least 50 to 100h. of "burn-in") are very good.

The high & mid frequencies are now much more liquid, detail, accurate and that reflects in the three dimensionally soundstage spectre of music. The improvements was felt also in the lows and even the pace of songs in a better perception of the music rhythm.

In resume, dynamics, harmonic integrity, depth and tight bass sounds are a great gain with this simple mods. rolleyes.gif

The cds i used for -*test*-('")ing were :

- Bjork's Debut, for the rhythm, voice timbre natural dimension and electronic low frequencies.
- REM's Automatic For The People, for the mids, many little high frequencies details and soundstage depth.
- Chet Baker's Chet Sings, for voice colorations and organic & acoustic instruments.
- Massive Attack's Mezzanine, for deep low bass rhythms & harmonics and also bottom end frequencies.

Here's a few pix :

Old caps out:

user posted image

New caps in: user posted image

user posted image

user posted image

dingus- 10-03-2007
nice Alvaro, a sweet sound just got sweeter.

clint e.- 10-03-2007
Because every little thing in audio matters... With only 10€ i'd made a sweet upgrade, and you're right Scott, sweet is the exact word. user posted image
That's a great analogy. A film cap is like putting a little sugar in the sound. wink.gif

hifi_nut- 10-03-2007
Rogers, one of the most respected names amongst british manufacturers, was unfortunately going down at the time they introduced the LS-55, which were probably their last model. That, in itself, would explain why they used what are obviously lower quality capacitors, in order to mantain costs in check.

I´m curious, Alvaro, did you stick to the original cap values?

Also, what´s to gain by adding another cap in paralel, as you have done? Doesn´t that change the filter´s slope at the crossover frequency?

As usual your handy work looks pretty impressive. soundt/action-smiley-035.gif I haven´t forgotten you offered to mod my Musical Fidelity X-Cans headphone amp. biggrin.gif

Jorge

clint e.- 10-03-2007
About the original cap values...of course i'd stick to the values 'cause it was not my intention screw up with crossover frequencies, at all. They are beautiful done why botter...?! wink.gif

About the parallel caps...from what i read & learned through out the years of electronic audio, parallel caps effectively increases capacitance, reduces parasitic noise and inductance, and also reduces ESR witch is the great importance for audio gear. smile.gif
Sometimes the problem to do this is a matter of room between other electronic components.

user posted image

Concerning your X-Can, next time we meet you'll bring it over and i'll upgrade for you. user posted image

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