| QUOTE (clint e. @ April 05, 2008 05:11 am) |
| Yesterday i was at a friend's house and he has Telefunken 6AK5's in his Yaqin buffer. Sounds pretty good. |
| QUOTE (cuoreboy @ April 18, 2008 08:42 am) |
| iam using Mullard CV4010 military |
| QUOTE (clint e. @ March 22, 2009 03:50 pm) |
| Another interesting opinion about tube buffers ( cathode Followers ) by Steven Rochlin when reviewing the Conrad Johnson 17LS Preamp, and i quote: "There are two reasons that it is important that a preamplifier have a relatively low output impedance: 1. The output impedance of the preamp should be not more than 1/10th of the input impedance of the power amp(s) it is connected to in order to avoid degradation of performance due to overloading the preamp's output stage. (Most amps range in impedance from 20kohms to 100kohms. A few are as low as 10kohms. Below that is irresponsible). 2. The output impedance of the preamp forms a low-pass filter with the capacitance of the interconnect cable (rolling off the high frequencies). The 3dB down point of this filter is inversely proportional to the product of the source resistance of the preamp and the capacitance of the cable. Accordingly, the lower the source resistance of the preamp, the wider range of types and lengths of cable the preamp will work well with. Even high-conductance triode tubes (such as the 6DJ8 and 6922) would normally have too high an output impedance. The traditional solution is to add a buffer stage (cathode follower) to the circuit. What we have done instead is to construct a composite triode made of several sections of 6922. Each doubling of the number of sections reduces the output impedance by a factor of two. The ART uses 10 sections... the Premier 17LS uses 4. In the case of the 17LS, the resulting output impedance is about 800 ohms. An important feature of this circuit is that it uses no negative feedback of any kind (there is neither loop feedback, nor local feedback). The result is a temporal accuracy that we think is unique to this approach. The rest of the circuitry includes three discrete power supply regulators (an input regulator followed by separate regulators for left and right channels), and the switching and control circuits. Note that the power supplies use polypropylene and polystyrene capacitors exclusively (NO electrolytics in the audio circuits or related power supplies). The control circuit is interesting in its own right. Level control is effected by microprocessor selection of combinations of discrete Vishay resistors via sealed relays. Way better than a traditional potentiometer." Of course he's talking about of one of the best pre-amplifiers ever made ( well maybe the last one from the Pass Labs, the Pass XP-10 could be a little better...?! ) even though, it's intriguing to notice that Mr. Rochlin reffers the use of a tube buffer as "traditional solution" and he was talking in the year 2000 .... You can read the entire review here: http://www.enjoythemusic.com/magazine/equi...0900/cjls17.htm |