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| Oktyabr |
Posted: May 24, 2009 08:34 pm
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![]() Valued Member ![]() ![]() ![]() ![]() Group: Members Posts: 370 Member No.: 133 Joined: January 01, 2007 |
Ok, my system currently consists of a relatively new Yamaha RX-V663 integrated AV receiver that I run as my pre and an Adcom GFA-5500 for (currently) my AR9LS and an Adcom GFA-555 (thanks Elroy!) for my DQ-20is.
My predicament arises when I try to run both amps at once. My "rack" is not conducive to easy "a/b"ing of amps and my stupid Yamaha only pre-outs for the front mains and surrounds. I *thought* the "Zone 2" pre-outs could be used to do an easy A/B but Yamaha apparently expects you to connect it only to an amp with it's own dedicated volume control. Honestly I like the Yammy quite well. A ton of features for the money including DTS-HD and DD-Master audio, the newest wizzbang audio formats prominent on blueray, but I wish I would have tested this feature a little more before buying it. Anyway... here is what I want to do... Front "main" pre-outs, standard RCA for right and left. Run the best gold plated "Y" splitters that ratshack had available into my standard ICs, in essence allowing me to send the same front channel signal to either/both amps. Is there any technical reason why I should avoid this setup? Thanks in advance! -------------------- Yamaha RX-V663 -> Vampire Wire CC1M ICs -> Onkyo Grand Integra M-508 -> Canare 4s11 -> Vandersteen 2C
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| dingus |
Posted: May 24, 2009 09:33 pm
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![]() How can people be so cruel? Group: Admin Posts: 4734 Member No.: 3 Joined: June 29, 2006 |
i've been using splitters on my preamp to supply my main amps for quite some time without any issues. i cant think of any reason why this would cause an issue.
-------------------- Teledyne AR9, Yamaha B-2x, Yamaha M-2, Hafler DH-110, EAD DSP 1000, Wadia WT-3200.
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| Oktyabr |
Posted: May 24, 2009 10:43 pm
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![]() Valued Member ![]() ![]() ![]() ![]() Group: Members Posts: 370 Member No.: 133 Joined: January 01, 2007 |
Thanks Scott. I figured as much but thought I would check.
The more I learn the more I learn how little I know. -------------------- Yamaha RX-V663 -> Vampire Wire CC1M ICs -> Onkyo Grand Integra M-508 -> Canare 4s11 -> Vandersteen 2C
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| dingus |
Posted: May 24, 2009 11:52 pm
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![]() How can people be so cruel? Group: Admin Posts: 4734 Member No.: 3 Joined: June 29, 2006 |
now that i think of it, i also did this with a dual T-amp system driving a pair of ADS L710's stacked on a pair of ADS L-810's.
-------------------- Teledyne AR9, Yamaha B-2x, Yamaha M-2, Hafler DH-110, EAD DSP 1000, Wadia WT-3200.
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| socal sam |
Posted: May 25, 2009 05:10 am
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![]() Advanced Member ![]() ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 986 Member No.: 265 Joined: July 25, 2007 |
I split my pre out four ways to supply my amps. There must be some loss of signal somewhere but the trade off is worth it.
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| clint e. |
Posted: May 25, 2009 05:35 am
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![]() D161t@L 0N L1N3 / Analog at heart Group: Moderator Posts: 6089 Member No.: 40 Joined: July 13, 2006 |
The voltage across a parallel circuit stays the same in other words you will get the same voltage across both however the current will be split depending on the impedence of the circuits ( different amps with different input impedances ). Some preamps have self loading low impedance outputs (600 to 1000 ohms) intended to drive high impedance inputs (10K to 40K ohms or so) of power amps. What this means is that the power amp input is supposed to sense the voltage but is not expected to draw current. In this situation splitting one output to feed two or more inputs won't make any difference.
-------------------- ![]() " Not everything that can be counted counts, and not everything that counts can be measured " Albert Einstein![]() |
| rroobbcc |
Posted: May 25, 2009 08:28 am
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![]() Valued Member ![]() ![]() ![]() ![]() Group: Members Posts: 267 Member No.: 269 Joined: August 09, 2007 |
Add me to the list of those who have never had a problem doing this. In fact, I have seen the schematics of a few pre-amps with multiple outputs and have never seen one that had separate gain stages for each output. They all simply link the outputs together. Basically just a y-connector inside of the chassis.
-------------------- Main 2-channel: Infinity RS 9 Kappa speakers (bi-amped), Adcom GFA-5802 (x2) power amps, Adcom GFP-750 preamp, Adcom GCD-750 CD player, Sony DTC-75ES DAT deck, Sony TC-K850ES cassette deck
Home Office: Infinity Modulus satellite speakers, Velodyne F-1200 subwoofer, Adcom GFA-555II power amp, PS Audio 5.6 preamp, Marantz DV6001 DVD/SACD player (as CD Transport), PS Audio Ultralink Two DAC Livingroom: B&W DM601 S3 speakers, Adcom GFA-545II power amp, Adcom GCD-575 CD player Home Theater: B&W LCR 6 S2 (x3) front and center speakers, B&W DM 602 (x4) side and rear surround speakers, Polk Audio PSW1000 (x2) subwoofers (driven passively), Triad PowerSub Bronze Amplifiers (x2), Infinity SSW-212 subwoofer, Marantz SR7001 THX receiver, Marantz DV7001 DVD/SACD player, Marantz VP4001 DLP projector, Elite Screens 100" screen Not Currently In Use: Klipsch Forte II speakers, Carver CT-7 preamp/tuner, Carver TL-3220 CD player, Adcom GFA-555 power amp, Adcom GFA-545II power amp, NAD PP-2 phono preamp (clint e. mod'd from ST 2008 New Year's giveaway) |
| MacGyver |
Posted: May 28, 2009 08:49 am
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![]() ST's Unofficial, Self-Professed "Mr.PIONEER" ![]() ![]() ![]() ![]() Group: Members Posts: 490 Member No.: 607 Joined: December 06, 2008 |
several years back, i used to use this piggyback stereo RCA L-R set that i got at RADIO SHACK to run the audio output from the DISH NETWORK satellite cable box to both the VCR and stereo receiver at the same time. the reason? so i could get pure sound directly from the box, without it passing through the VCR and being amplified. i had crapola late nineties RCA VCRs back then...
This post has been edited by MacGyver on May 28, 2009 08:50 am -------------------- PIONEER VSX-D1S TOTL 130w/ch. A/V Stereo Receiver (1990) PIONEER PD-3000 Reference Compact Disc Player (1987) (JPN market version of U.S. market PD-91) PIONEER PD-M90X Reference Multi-Play CD Player (1987) (the very first REFERENCE/ELITE multi-play CDP) PIONEER CT-S800 (1988) full-featured TOTL Single-Well LaserAmorphous-Head cassette deck, with casted-iron transformer PIONEER DV-09 Reference DVD Player (1997) PIONEER CLD-3030 TOTL Compatible Laser Disc Player (1988) PIONEER GR-777 Ten Band Stereo Graphic Equalizer (1988) (TOTL remote controllable EQ with dual spectrum display) PIONEER CS-G503 Four-Way Stereo Loudspeaker System (199?) PIONEER SE-305 Stereo Headphones (1974) PIONEER MR-100 Multi-Room IR Receiver (1989) PIONEER CU-MR100 Remote Control Unit (1989) PIONEER CU-AV70 Programmable Remote Control Unit (1988) PIONEER CU-AV100 Programmable Remote Control Unit (1988) PIONEER CU-AV200 Programmable Remote Control Unit (1989) -MISC.- ELAC MIRACORD 46 Direct Drive Phonograph Turntable (197?) DENON DCD-1500 CD player (1986) (heavily upgraded, Dual-Mono output TOTL) PIONEER PD-M6 Multi-CD player (1986) (the very first PIONEER magazine CD changer) JVC HR-S8000U S-VHS VCR (1988) MITSUBISHI HS-U70 S-VHS VCR (1988) ROLAND BOSS BR-1180 Hard Disk Digital Audio Recorder (2002) JVC RM-S1 Universal Programmable Touch-Panel Remote Control (1988) ![]() ♥Aoi Nishimata Fan♥ |
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